The Brave New World of Books – a layman’s view April 9, 2011Posted by Alan Yu in Books, Communication, Language, Literature, Marketing, Reading.
Tags: Books, Publishing, Reading, Writing
I have always had an interest in books, but should have read more than I have. My excuse? That the books that matter are too bulky. The arrival of e-books has totally destroyed this excuse. My iPad now carries Oscar Wilde Complete Works Ultimate Collection (140+ works), Works of George Bernard Shaw (30+ works), James Joyce’s Ulysses, War and Peace, and The Works of Mark Twain (24 books in a single file). It weighs exactly the same as it did without them. Some of the books were even free to download.
The world of books has gone through wrenching change in the last few years. Prognosis, diagnosis and predictions aside, we don’t quite know what it will look like when the dust settles. Yet the new world already looks exciting to some, and frightening to others.
Despite the idiosyncrasies of some of the players in it, the world of books is not that different from other industries. Some generate the product ideas (the authors), some manufacture the products (publishers and printers), some distribute them (booksellers) and others consume them (readers). There are the usual intermediaries, such as literary agents and editors who work for publishers.
So what does the new world of books mean to all these players in the industry?
Many published and aspiring authors feel that they are the most oppressed people in the world. They toil for years to develop their product (the book), only to get serial rejection letters from publishers and biting comments from editors. With the increasing popularity of e-publishing, authors feel truly liberated. They don’t have to ask publishers for permission, or beg editors not to change their work. They can now choose to self-publish anything they want, provided they are prepared to put up with a lot of extra administrative work.
Yet like karaoke, which gives people who can’t sing the illusion that they can, e-publishing gives authors who can’t write or tell a story a similar illusion. This blog post you are reading could be a case in point. As the quantity of published material in the market goes up, the general quality comes down.
In other words, authors can now bypass publishers as gatekeepers of “quality”, but there are no more or less “good” authors. It only means that the work of more bad authors gets out into the market. Let’s face it, some authors who publish their own works electronically now may not be worthy of publication at all.
The Wall Street Journal reported that some authors also complain they earn less per e-book than they do the physical equivalent. All we can hope is that a larger number of e-books sell to make up for this shortfall.
The manufacturers of books – the publishers – have never been short of raw materials. They have always been inundated with more manuscripts than they can handle in several lifetimes. Their trade is also fraught with sometimes substantial risks. How many titles have they published which don’t even cover the cost of printing, not to mention the occasional advances and huge marketing and distribution costs?
E-publishing has cut the cost of production for publishers to the bare minimum, although physical production probably accounts for a small part of a publisher’s total cost. A few printers will go out of business. The cost of distribution has also come down, as there is no real physical handling of an e-book. Besides, there are now more cost-effective channels for promotion, such as social networking.
The price of an e-book, however, is sometimes 20% cheaper than its paperback equivalent, and sometimes even more expensive. As e-publishing guts a publisher’s business of costs, book pricing doesn’t seem to have fallen proportionally. Publisher profitability should have gone up, and the business should be less risky. Although publishers are also vulnerable to literary agencies selling rights direct to new-world retailers such as Amazon, as Wylie did last year, this doesn’t seem a widespread threat yet.
As purveyors of quality products the reading public wants to buy, publishers should feel secure in their jobs, as long as they continue to keep close to the taste of readers, insist on quality writing, embrace new media and don’t get too naïve about forking out huge advances for celebrity appeal.
Authors love to hate literary agents. They need them to get to a decent publisher and a wide market, but simply getting to them is a five-year project itself. With the right confluence of temperament, a literary agent will remain an author’s best friend. This sometimes cantankerous and oddball breed will likely continue to thrive, and behave just as obnoxiously to the unfortunate writing low-life that dares cross its path.
By all accounts, booksellers seem to have hurt the most. In an article in Fortune magazine dated June 21, 2010, Borders CEO Michael Edwards defends the raison d’être of bookstores: “If they continue to innovate in the services and experiences they offer…consumers will continue to make bookstores a vital part of their lives…The next chapter is up to them.” For Borders, that next chapter was Chapter 11, in February, 2011.
My personal experience may be a curved mirror of reality, but it should nevertheless make booksellers stand up and take notice. Browsing in bookstores is no longer a pastime. The few physical books I have bought in the last year have either been bargain end-of-the-line titles, or ones I need to share with others. A few months ago, I saw a title in an exhibition which appeared to be on sale, around 20% cheaper than in bookstores. There and then, I looked online, found and downloaded an electronic copy at almost half the already reduced price at the exhibition.
Predictions about the demise of anything are usually correct in direction but wrong in timing. Die-hard physical book lovers will be far bigger in number and slower to change their habits than futurists envisage. Bookstores will die a slow, painful death. A few may even survive.
For the already overloaded reading public, it’s now harder to separate the wheat from the chaff. Who cares? We have always made bad choices anyway, and can now do so at lower cost. Nor do we need to find bigger bookshelves to house those unwanted and unread titles. As a life-long reader, I find the immense convenience of e-books simply irresistible. Similar sentiments may even drive up general readership, and give the book industry needed impetus for growth.
As a reader not in any way involved in the book industry, I am excited by the changes I have seen, but would like to see more. I want more titles to be available electronically, and at the same time as the hard copy comes on to the market. I want pricing to come down further. I’d hate to get caught in the commercial maelstrom, though.